Violence on the StreetPosted: November 28, 2012
Elvis gives the impression that parts of Lagos are unsafe, sometimes merely hinting at, other times out right describing, public and private violence. In the beginning of the story, he discusses the set up of the road and bridges in the city, focusing on the people’s ignorant use of them. The citizens do not use the bridges; rather, “pedestrians dodged between the speeding vehicles” (Abani 56). As a result, Elvis tells us that a minimum of ten people die crossing the street every day. He depicts it as a violent, gruesome way to die.
Elvis leaves little to the imagination when describes the bus running over yet another person that had been originally hit by the car in front of it; Elvis tells us, “subsequent cars [finish] the job” of killing the pedestrians (Abani 56). The image of scattered dead bodies in the road, mutilated by cars, buses, and trucks, fills a reader’s mind, and it brings a much more somber tone to the story. The idea of a violent, painful, realistic death grounds the novel, forcing readers to reflect with Elvis on both the importance and brevity of life. In Elvis’s own words, “Why do we gamble with our lives? … why not even the odds [between life and death] a little?” (Abani 57).
At this point, Abani is making a much more important statement about life in the city, saying that no part of life is certain for anyone. A passenger on the bus describes it perfectly, saying that “life in Lagos is a gamble, crossing or no crossing” (Abani 57). It is a harsh and somewhat depressing reality, but it is one that people in Lagos, aside from Elvis, have no trouble accepting. Elvis pinpoints exactly that, the blind acceptance of life, as “the trouble with this country” (Abani 58). But, despite the violent deaths and ignorant people, Elvis has one positive (albeit sarcastic) comment about the situation: “At least they take away the bodies” (Abani 57).